The Use Of Mirrors In 16th Century Paintings Essay - 1

The Use Of Mirrors In sixteenth Century Paintings - Essay ExampleThis paper shows that Anamorphosis is that particular style of drawing in which the order of art appears distorted until it is viewed by the observer at a particular angle or by means of a special lens. Sometimes whole scenes and landscapes were embedded in these picture puzzles (Chilvers 14, Bousquet 155). A unspotted example of such a work will be Parmigianinos Self Portrait through in the year 1434. For this painting, he placed a convex mirror in nominal head and multicoloured exactly what he saw. To lend an added air of authenticity to the image, Parmigianino especially constructed a wooden sphere and grapple it in half in exact accordance with the dimensions of the convex mirror. As a result, Parmigianinos fall in appears disproportionately, almost grotesquely large, as it is placed near the mirror. Georges De La Tours (George De La Tour) The rueful Magdalene brings yet a nonher touch of novelty to the usage of mirrors. Here, Tour portrays bloody shame Magdalene, seated in front of a mirror, gazing absently at it, while her left hand is lightly placed on a skull and the candlelight casts a shadow on her face. The reflection of the mirror is used to point towards the inner reflections of Mary Magdalene. Here the mirror is used to symbolize introspection. Magdalene is shown as gazing at the mirror it is her inner world, however, that she is gazing at. These examples are precisely a few. There are many others of this kind where one can see the mirror not just embellishing a painting and adding to its visual and artistic value but also conveying a deeply symbolic and moral meaning.